image

Previous Lot Next Lot

Auction: 344 - The Numismatic Collector's Series Sale at Grand Hyatt, NY INC
Lot: 41

German States, Hamburg, Freie Hansestadt, gold Bank Portugaloser of 10-Ducats, 34.65g, 1675, signed on the reverse i-r for Johann Reteke, a te fundatam deus urbem protege dextra, view of the city of Hamburg from across the river Elbe, shipping in the foreground, the radiant 'jehova' in clouds above, with an arm issuing from clouds and holding the shield of the city, hamburg in a cartouche below, rev. his urbes quatuor volu-erunt crescere prisci, allegorical female figure reclining on a pedestal, holding a stem of flowers in her right hand and a book in her left, a flame from a small urn at her feet, on the pedestal the four shields of the cities of, above, Venice, to left and right, Amsterdam and Hamburg, and below, Nurnberg, all within a wreath, to left a pair of doves on caskets, and a ship in the distance, to right a sheaf of wheat, beside the Hamburg shield the initials a-p for Andreas Petersen, the ältester Bankbürger, the senior merchant citizen of the Hamburg Specie-Bank, on the base the artist's initials i-r divided by cura & pretio on a swag, mdclxxv in exergue (Gaedechens vol.III, p.99, no. 1605; Forrer v, 95), some light hairlines, extremely fine, very rare
Johann Christoph Reteke (or Retecke), was a medallist at Hamburg c.1664-1720. For thirty years he worked for the Hamburg Species-Bank (1664-93), for which he engraved numerous dies for their spectacular series of Portugalosers. His work was much admired, and he was commissioned to produce medals for Johann Georg II, Prince Elector of Saxony, Prince Elector Palatine Philip William, Duke Christian Albert of Schleswig-Holstein-Gottorp, and Johann Georg II of Anhalt-Dessau. In 1722 he was appointed mint-master at Eutin by Christian August, the Prince-Bishop of Lübeck.
The magnificent Portugalosers produced by Reteke were recognised at the time as pieces of art in their own right. Regarded more as medals than coins, these beautiful and impressive pieces were kept and treasured, mounted as jewellery or set in other grand and decorative objects. As a result many examples have mount marks, signs of polishing, or other wear and tear that such decorative objects naturally acquired over the centuries. Perfect examples such as the two offered here are extremely rare.



Sold for
$24,000