QUESTIONS AND ANSWERS
Q: How much will it cost me to collect coins?
A: This may sound a slick response,
but the answer is ‘As
much or as little as you like’. Coins are available
from literally a pound or two to many thousands.
Q: Why such a wide range of prices?
A: Rarity to one side, the most significant
single factor in determining a coin’s value is its
exact state of preservation. See How much is
a coin worth? A
coin in perfect condition may be worth £1000, while
an identical piece that is very worn may not even be worth £1.
Collectors are prepared to pay significantly more for a
coin that is in choice condition compared to one in an
average or lesser grade. The reason is quite simple: the
choice pieces are rarer than worn ones.
Q: Why don’t dealers clean-up coins before putting
them on display? Our local dealer has some very badly tarnished
silver and copper coins in his window. I feel I want to offer
to give them a good polish.
A: The surest way to reduce a coin’s value is to polish
it or immerse it in a proprietary cleaning fluid such as
a silver dip. The golden rule is don’t clean coins.
Q: How much does polishing or cleaning a coin reduce its
value?
A: Generally a severely cleaned coin will be worth less than
half the value of the same coin that has not been polished
or subjected to a proprietary cleaning fluid.
Q: So cleaning reduces a coins value and the better a coin’s
condition, the more its worth. Is there anything else that
will affect the value of two otherwise identical coins?
A: Just as one may refer to a musical
instrument having a ‘rich
tone’, so a coin that is deepened and enriched in colour
by the passage of time may be said to be ‘toned’.
While collectors prefer modern copper and bronze coins to
have their original mint lustre, it will be appreciated that
even coins in mint condition may develop a patina if they
have been exposed to the atmosphere. Although such coins
do not command as high a premium as a specimen with full
mint lustre, if the patina is even, they will realise more
than examples with a ‘patchy’ toning or a partial
lustre. Many nineteenth and early twentieth century silver
specimens are found with a light golden tone which gives
the coins a delightful glow. The patina can also be darker;
sometimes even black. Coins with a dark damson tone with
a hint of olive green are particularly attractive. This is
especially so when the field (i.e. the flat part of the coin
between the inscription or edge and the design) is of a deeper
tone than the relief design. Look a little closer at a coin
with a tone like this and the bust may be speckled with red
and gold lights. While toning is a matter of personal taste,
a pleasing tone does increase a coin’s value.
Q: Are coins a good investment?
A: Buy coins for interest and enjoyment, selecting the best
you can afford. If you follow these criteria, history has
shown that they are likely to increase in value as time
passes. However, the quest for financial gain should not
be your primary objective and dealers generally do not
advise on this basis.
Q: What’s the best way to display coins?
A: The traditional way to house a collection
is a coin cabinet. Usually made from mahogany, they contain
a number of shallow
drawers – known as trays – with circular recesses
containing a circular piece of felt. Secondhand examples
are available at auction. Sizes vary from desk-top to standalone
pieces of furniture. Modern equivalents made from durable
materials are available that are designed for easy transportation.
Coin albums are also available. The least expensive way
is to place the coins in transparent envelopes specially
made for coins and to store them in a specially designed
box.
Q: I’m interested in collecting English coins. Can
you recommend a comprehensive book, please?
A: The Spink Standard Catalogue
Of British Coins: Coins Of England 2004 is the only single-volume reference
work that
features every major coin type from Celtic times to the present
day. Retail valuations are given for every coin type listed
in two grades for hammered and three for milled coins. However,
this is not just a priced catalogue. It is profusely illustrated
throughout; each section or reign begins with a useful general
outline; there is a topical ‘Markets Trend’ for
the previous year; a general guide to coin collecting and
grading plus an English translation of the Latin legends
found on the coins. It the essential guide for beginners
and serious numismatists alike. It is a hardback volume and
it retails at £18.
Q: Proof coins are often advertised in the press. What exactly
is a proof?
A: Just as in printing, a proof is a trial impression of
a page, a proof coin is a trial striking of a coin. In the
18th century proof coins were just very carefully struck.
Since the 19th century proof coins have been carefully struck
from specially prepared dies on to specially prepared blanks.
Normally the end result is a coin with a mirror-like surface,
though occasionally one encounters proofs with a matt surface.
They are of a superior finish to a currency coin.
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